This posts were from the original Classic Civ students’s projects in 2015. We apologize in advance – many of the links to media files (audio, video, and images) are now broken.
Parallels between The Odyssey (Ancient Text) and (Contemporary Song) by Sugarland
ltc-admin, 2015-03-13 12:47
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We all know the story of Odysseus, but this song tells the story of Penelope while he is away. During his absence, we had always believed that Penelope had paitiently waited for him, but we can now see what she was feeling during those long years.
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I’ve been sitting here staring at the clock on the wall
And I’ve been laying here praying, praying she won’t call
It’s just another call from home
And you’ll get it and be gone
And I’ll be crying
And I’ll be begging you, baby
Beg you not to leave
But I’ll be left here waiting
With my Heart on my sleeve
Oh, for the next time we’ll be here
Seems like a million years
And I think I’m dying
What do I have to do to make you see
She can’t love you like me?
Why don’t you stay
I’m down on my knees
I’m so tired of being lonely
Don’t I give you what you need
When she calls you to go
There is one thing you should know
We don’t have to live this way
Baby, why don’t you stay
You keep telling me, baby
There will come a time
When you will leave her arms
And forever be in mine
But I don’t think that’s the truth
And I don’t like being used and I’m tired of waiting
It’s too much pain to have to bear
To love a man you have to share
Why don’t you stay
I’m down on my knees
I’m so tired of being lonely
Don’t I give you what you need
When she calls you to go
There is one thing you should know
We don’t have to live this way
Baby, why don’t you stay
I can’t take it any longer
But my will is getting stronger
And I think I know just what I have to do
I can’t waste another minute
After all that I’ve put in it
I’ve given you my best
Why does she get the best of you
So next time you find you wanna leave her bed for mine
Why don’t you stay
I’m up off my knees
I’m so tired of being lonely
You can’t give me what I need
When she begs you not to go
There is one thing you should know
I don’t have to live this way
Baby, why don’t you stay, yeah
Listen to the song:
Stay
Parallels between Aeneid (Ancient Text) and (Contemporary Song) by Keith Urban
ltc-admin, 2015-03-13 12:47
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The song shows how the woman falls completely in love with the singer, but is then devastaded to learn that the singer does not share her feelings. She is like Dido: originally enamored with Aeneas, but then utterly heartbroken. The singer is like Aeneas: he at first shares the love, then leaves to fulfill his own desires, but still feels the pain of the love lost.
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Well, she was precious like a flower
She grew wild, wild but innocent
A perfect prayer in a desperate hour
She was everything beautiful and different
Stupid boy, you can’t fence that in
Stupid boy, it’s like holding back the wind
She laid her heart and soul right in your hands
And you stole her every dream and you crushed her plans
She never even knew she had a choice and that’s what happens
When the only voice she hears is telling her she can’t
Stupid boy, stupid boy
Oh
So what made you think you could take a life
And just push it push it around
I guess to build yourself up so high
You had to take her and break her down
She laid her heart and soul right in your hands
And you stole her every dream and you crushed her plans
She never even knew she had a choice and that’s what happens
When the only voice she hears is telling her she can’t
You stupid boy
Oh, you always had to be right but now you’ve lost
The only thing that ever made you feel alive
Yeah, yeah
Well, she laid her heart and soul right in your hands
And you stole her every dream and you crushed her plans
Yes, you did
She never even knew she had a choice and that’s what happens
When the only voice she hears is telling her she can’t
You stupid boy, oh, I’m the same old
Same old stupid boy
It took awhile for her to figure out she could run
But when she did, she was long gone, long gone
Ah, she’s gone, she’s long gone.
Yes, she’s gone
Nobody’s ever gonna love me like she loved me
And she loved me, she loved me
God please, just let her know
I’m sorry, I’m sorry
I’m sorry, I’m sorry
Baby, yeah, I’m down on my knees
She’s never coming back to me
Listen to the song:
Stupid Boy
Parallels between Euripides- Medea 1019-1080 (Ancient Text) and (Contemporary Song) by Henryk Górecki
ltc-admin, 2015-03-13 12:47
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This piece is an evocation of the bonds between mother and child. The three movements keep with this theme, the first and third details a mothers the loss of a child and the second the child’s separation from their mother. Henryk G__recki choose three different lyrical pieces to fit with the symphony the First movement is from a song of lamentation from the Polish Holy Cross Monastery, of Mary for her son Jesus, and the pain she suffered knowing his fate it dates from the second-half of the 15th century. The second movement comes from a message inscribed and signed on wall 3, cell 3, in the basement of Gestapo headquarters in Zadopane, by an 18 year-old Polish woman the imprisoned in 1944 during World War II. The third is a Silesian folk song and the voice is that of a mother searching in vain for the dead body of her child, killed in the Silesian uprising between Poland and Germany. Lines 1019-1080 is the moment when Medea speaks alone in one of her longest monologues in the drama and laments over her role as a mother and her relationship with her children, knowing that she is going to murder them and struggling with this as someone who have birth to them and tried to raise them well. I suggest reading the passage as you listen to the selection.
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First Movement:
My son, my chosen and beloved
Share your wounds with your mother
And because, dear son, I have always carried you in my heart,
And always served you faithfully
Speak to your mother, to make her happy,
Although you are already leaving me, my cherished hope.
Second Movement:
No, Mother, do not weep,
Most chaste Queen of Heaven
Support me always.
“Zdrowas Mario.”
Third Movement:
Where has he gone
My dearest son?
Perhaps during the uprising
The cruel enemy killed him
Ah, you bad people
In the name of God, the most Holy,
Tell me, why did you kill
My son?
Never again
Will I have his support
Even if I cry
My old eyes out
Were my bitter tears
to create another River Oder
They would not restore to life
My son
He lies in his grave
and I know not where
Though I keep asking people
Everywhere
Perhaps the poor child
Lies in a rough ditch
and instead he could have been
lying in his warm bed
Oh, sing for him
God’s little song-birds
Since his mother
Cannot find him
And you, God’s little flowers
May you blossom all around
So that my son
May sleep happily
Listen to the song:
Symphony of Sorrowful Songs
Parallels between Euripides, Medea (Ancient Text) and (Contemporary Song) by Soft Cell
ltc-admin, 2015-03-13 12:47
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This song is about how love can be poisoning. There is no better example of this than between Jason and Medea. He has forsaken her and she just wants to run away. She has to get away.
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Sometimes I feel I’ve got to
Run away I’ve got to
Get away
From the pain that you drive into the heart of me
The love we share
Seems to go nowhere
And I’ve lost my light
For I toss and turn I can’t sleep at night
Once I ran to you (I ran)
Now I’ll run from you
This tainted love you’ve given
I give you all a boy could give you
Take my tears and that’s not nearly all
Oh tainted love
Tainted love
Now I know I’ve got to
Run away I’ve got to
Get away
You don’t really want it any more from me
To make things right
You need someone to hold you tight
And you’ll think love is to pray
But I’m sorry I don’t pray that way
Once I ran to you (I ran)
Now I’ll run from you
This tainted love you’ve given
I give you all a boy could give you
Take my tears and that’s not nearly all
Oh tainted love
Tainted love
Don’t touch me please
I cannot stand the way you tease
I love you though you hurt me so
Now I’m going to pack my things and go
Tainted love, tainted love
Tainted love, tainted love
Touch me baby, tainted love
Touch me baby, tainted love
Tainted love
Tainted love
Tainted love
Listen to the song:
Tainted Love
Parallels between Plutarch A Consolation to his Wife (Ancient Text) and (Contemporary Song) by Eric Clapton
ltc-admin, 2015-03-13 12:47
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Eric Clapton’s son died at age four and Clapton expressed his pain through the song “Tears in Heaven.” Similarly, Plutarch and his wife lose their infant daughter when she is two years old. Plutarch commends his wife for holding a modest and simple funeral for the girl. Like Plutarch’s wife, Clapton uses simple lyrics, a repeated question, to convey the pain he feels from the loss of his son.
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Would you know my name
If I saw you in heaven?
Would it be the same
If I saw you in heaven?
I must be strong
And carry on
‘Cause I know I don’t belong
Here in heaven
Would you hold my hand
If I saw you in heaven?
Would you help me stand
If I saw you in heaven?
I’ll find my way
Through night and day
‘Cause I know I just can’t stay
Here in heaven
Time can bring you down
Time can bend your knees
Time can break your heart
Have you begging please
Begging please
Beyond the door
There’s peace, I’m sure
And I know there’ll be no more
Tears in heaven
Would you know my name
If I saw you in heaven?
Would it be the same
If I saw you in heaven?
I must be strong
And carry on
‘Cause I know I don’t belong
Here in heaven
‘Cause I know I don’t belong
Here in heaven
Listen to the song:
Tears in Heaven
Parallels between Anacreon 357 (Ancient Text) and (Contemporary Song) by Jim White
ltc-admin, 2015-03-13 12:47
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Both texts involve prayers to god (Eros in the ancient source). The Jim White song is interesting because the speaker gives God an ultimatum. Anacreon: O lord, with whom Eros the subduer and the dark-eyed nymphs and glistening Aphrodite join in play, you who roam the high crests of the mountains, I kneel and beg you, come to me kindly, hear my prayer, and may it please you: Give wise counsel to Kleoboulos, get him, Dionysus, to accept my love.
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I say “God, if you ain’t smiling on me, then you ain’t no friend of mine.” It’s late at night and this motel room’s
drunk, I been listening to the lonesome wind crying. My best friend once said, “Jim, what you cling to, that’s the thing
that you had best forget. For ain’t no rose bed ever gonna bloom in an untended field of regrets.” Guess I been busy
killing time counting bullet holes in state line signs. I led a life of lonely drifting trying to rise above the buzzards
in my mind. You get dizzy chasing ’round the tail of what you need to leave behind. Oh sweet Jesus, won’t you help me?
‘Cause all I’m trying to do is plant them seeds of love with that girl from Brownsville, Texas. Midnight radio, a crackly
white gospel station kicking out the sounds of some half-assed revival. Me, I never much cared for the feelings you get
quoting scriptures from out of the Bible. For as the crow flies I know only one cure for a permanent tear in your eye. You
gotta crank like hell that rope on old sorrow’s well ’til the day that the bucket comes up dry.
[CHORUS]
Now dreams are just
prayers without the put on airs… and though my history of dreams is a scandal of back-assward schemes and romantic
disasters where Lord, you dealt me more cards than I could handle. Still from the lips of this half-hearted sinner comes
the pledge of a half-baked saint. ‘Cause Lord I might finally be willing to become the religious fool you always wanted me
to be… if in return we could just tell that girl I’m the man you and me both know that I ain’t.
[CHORUS]
Listen to the song:
That Girl from Brownsville Texas
Parallels between Plutarch - Eroticus (Ancient Text) and (Contemporary Song) by Garth Brooks
ltc-admin, 2015-03-13 12:47
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Although the song does not parallel Eroticus completely, the love between the singer and the woman is like the love of Bacchon and Ismenodora. We do not see much detail of Bacchon and Ismenodora’s love, but this song paints a picture of how it might have been.
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I went to work for her that summer
A teenage kid so far from home
She was a lonely widow woman
Hell-bent to make it on her own
We were a thousand miles from nowhere
Wheat fields as far as I could see
Both needing something from each other
Not knowing yet what that might be
‘Til she came to me one evening
Hot cup of coffee and a smile
In a dress that I was certain
She hadn’t worn in quite a while
There was a difference in her laughter
There was a softness in her eyes
And on the air there was a hunger
Even a boy could recognize
She had a need to feel the thunder
To chase the lightning from the sky
To watch a storm with all its wonder
Raging in her lover’s eyes
She had to ride the heat of passion
Like a comet burning bright
Rushing headlong in the wind
Now where only dreams have been
Burning both ends of the night
That summer wind was all around me
Nothing between us but the night
When I told her that I’d never
She softly whispered that’s alright
And then I watched her hands of leather
Turn to velvet in a touch
There’s never been another summer
When I have ever learned so much
We had a need to feel the thunder
To chase the lightning from the sky
To watch a storm with all its wonder
Raging in each others eyes
We had to ride the heat of passion
Like a comet burning bright
Rushing headlong in the wind
Now where only dreams have been
Burning both ends of the night
I often think about that summer
The sweat, the moonlight and the lace
And I have rarely held another
When I haven’t seen her face
And every time I pass a wheat field
And watch it dancing with the wind
Although I know it isn’t real
I just can’t help but feel
Her hungry arms again
She had a need to feel the thunder
To chase the lightning from the sky
To watch a storm with all its wonder
Raging in her lover’s eyes
She had to ride the heat of passion
Like a comet burning bright
Rushing headlong in the wind
Now where only dreams have been
Burning both ends of the night
Rushing in long in the wind
Now where only dreams have been
Burnin’ both ends of the night
Listen to the song:
That Summer
Parallels between Dido & Aeneas (Ancient Text) and (Contemporary Song) by Paramore
ltc-admin, 2015-03-13 12:47
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This song is about a girl who is afraid to fall in love with anyone and has accepted a life of solitude, however she falls in love with someone who becomes her only exception. These lyrics related well with the story of Dido and Aeneas because Dido vowed never to fall in love again after the murder of her husband and to live a life for her people. However she falls for Aeneas and makes an exception to her promise. In addition, just as in the song, Aeneas leaves her in the morning.
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When I was younger
I saw my daddy cry
And curse at the wind
He broke his own heart
And I watched
As he tried to reassemble it
And my momma swore
That she would never let herself forget
And that was the day that I promised
I’d never sing of love
If it does not exist, but darlin’
You are, the only exception
You are, the only exception
You are, the only exception
You are, the only exception
Maybe I know, somewhere
Deep in my soul
That love never lasts
And we’ve got to find other ways
To make it alone
But keep a straight face
And I’ve always lived like this
Keeping a comfortable, distance
And up until now
I had sworn to myself that I’m content
With loneliness
Because none of it was ever worth the risk
But, you are, the only exception
You are, the only exception
You are, the only exception
You are, the only exception
I’ve got a tight grip on reality
But I can’t let go of what’s in front of me here
I know your leaving in the morning, when you wake up
Leave me with some kind of proof it’s not a dream, oh
You are, the only exception
You are, the only exception
You are, the only exception
You are, the only exception
You are, the only exception
You are, the only exception
You are, the only exception
You are, the only exception
And I’m on my way to believing
Oh, and I’m on my way to believing.
Listen to the song:
The Only Exception
Parallels between Ovid, The Art of Love, Book I, lines 229-249 (Ancient Text) and (Contemporary Song) by Blink 182
ltc-admin, 2015-03-13 12:47
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Ovid offers examples of places to find women. Blink-182 offers one of the same locations/events for picking up girls. Whereas maybe Ovid had some luck at parties, the boys of Blink-182 have none. They note that yes, there are what even Ovid would consider pretty fly-honeys, (he might have liked on enough to brush imaginary dust off her shirt); these girls, however, are trying too hard to impress, possibly on the hunt themselves.
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Do you want to come to a party
My friends picked me up in their truck at 11:30
This things at a frat house but the people are cool there
Reluctant I followed but I never dreamed there
Would be someone there who would catch my attention
I wasn’t out searching for love or affection
So I paid my 3 and the girls got in free
Shine the beer for tequila and we headed into the party
And then in the backyard some terrible ska band
Someone in the background was doing a keg stand
This place is so lame all these girls look the same
All thse guys have no game I wish I would have stayed
In my bed back at home watching TV alone
Where I’d put on some porn or have sex on the phone
Far from people I hate down from anywhere state
Trying to intoxicate girls to give them head after the party
And then I saw her standing there
With green eyes and long blond hair
She wasn’t wearing underwear at least I prayed that
She might be the one maybe we’d have some fun
Maybe we’d watch the sun rise
But that night I learned some girls try too hard
Some girls try too hard
Some girls try too hard to impress
With the way that they dress
With those things on their chests
And the things they suggest to me
I couldn’t believe what this lady was saying
The names she was dropping the games she was playing
She dated this guy who now rides for Black Flys
How she’s down with the wise well constructed disguise
Now I’d rather go dateless than stay here and hate this
Her volume of makeup her fake tits were tasteless
So I said I’d call her but never would bother
Until I got turned down by another girl at a party
So when you see her standing there
With green eyes and long blonde hair
She won’t be wearing underwear and you’ll discover
This girl’s not the one and she’ll never be fun
You should just turn and run
Because you’ll find out that some girls try too hard
Some girls try too hard
And some girls try too hard to impress
With the way that they dress
With those things on their chest
And the things they suggest to me
Some girls try too hard
Some girls try too hard
Listen to the song:
The Party Song
Parallels between Homeric Hyme to I and II (Ancient Text) and (Contemporary Song) by Celine Dion
ltc-admin, 2015-03-13 12:47
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This song is about the beauty of love. I can think of no better poem to attribute this too than that of the Hymn to Aphrodite. Aphrodite goes down to earth to find a mortal to sleep with. the words I’m your lady, and you are my man are perfect. They show the true feelings of both parties involved.
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The whispers in the morning
Of lovers sleeping tight
Are rolling by like thunder now
As I look in your eyes
I hold on to your body
And feel each move you make
Your voice is warm and tender
A love that I could not forsake
‘Cause I am your lady
And you are my man
Whenever you reach for me
I’ll do all that I can
Lost is how I’m feeling lying in your arms
When the world outside’s too much to take
That all ends when I’m with you
Even though there may be times
It seems I’m far away
Never wonder where I am
‘Cause I am always by your side
‘Cause I am your lady
And you are my man
Whenever you reach for me
I’ll do all that I can
We’re heading for something
Somewhere I’ve never been
Sometimes I am frightened
But I’m ready to learn
Of the power of love
The sound of your heart beating
Made it clear
Suddenly the feeling that I can’t go on
Is light years away
‘Cause I am your lady
And you are my man
Whenever you reach for me
I’ll do all that I can
We’re heading for something
Somewhere I’ve never been
Sometimes I am frightened
But I’m ready to learn
Of the power of love
The power of love
The power of love
Sometimes I am frightened but I’m ready to learn
Of the power of love
The power of love, ooh ooh
(As I look into your eyes)
The power of love (The power of love)
Listen to the song:
The Power of Love
Parallels between Jason & Medea (Ancient Text) and (Contemporary Song) by Thrice
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This song describes the deception and weakness of some that promise their love. These lyrics describe the relationship between Jason & Medea. Jason promised to marry her and love her. However, as the lyrics describe “when they say ‘give’ they mean ‘take’ and that is exactly what Jason did to Medea. He used her for his benefit instead of loving her truly and he did not understand the responsibilities that loyalty that comes with marriage. This relates to the lyric “because a ring don’t mean nothing if you can’t haul the weight”. He did not fulfill his duties as a husband when he left her to marry another.
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There’s many who’ll tell you they’ll give you their love,
But when they say “give” they mean “take”.
They hang ‘round just like vultures ’til push comes to shove
And take flight when the earth starts to shake.
Someone may say that they’ll always be true
Then slip out the door ‘fore the dawn,
But I won’t leave you hanging on.
Another may stay ’til they find someone new
Then before you know they’ll be gone,
But I won’t leave you hanging on.
No, I won’t won’t be that someone.
And come what may, I won’t abandon you or leave you behind,
Because love is a loyalty sworn, not a burning for a moment.
Come what may, I will be standing right here by your side,
I won’t run away, though the storm’s getting worse and there’s no end in sight.
Some talk of destiny, others of fate,
But soon they’ll be saying goodbye,
But I won’t leave you high and dry.
‘Cause a ring don’t mean nothing if you can’t haul the weight
And some of them won’t even try,
But I won’t leave you high and dry.
I won’t leave you wondering why.
And come what may, I won’t abandon you or leave you behind,
Because love is a loyalty sworn, not a burning for a moment.
Come what may, I will be standing right here by your side,
I won’t run away, though the storm’s getting worse and there’s no end in sight.
And storms will surely come,
But true love is a choice you must make and you are the one.
That I have set my heart to choose
As long as I live, I swear I’ll see this through.
Come what may, I won’t abandon you or leave you behind,
Because love is a loyalty sworn, not a burning for a moment.
Come what may, I will be standing right here by your side,
I won’t run away, though the storm’s getting worse and I see no end.
Come what may, I won’t abandon you or leave you behind,
Because love is a loyalty sworn, not a burning for a moment.
Come what may, I will be standing right here by your side,
I won’t run away, though the storm’s getting worse and there’s no end in sight
Listen to the song:
The Weight
Parallels between Daphnis and Chlose - Longus (Ancient Text) and (Contemporary Song) by Trace Adkins
ltc-admin, 2015-03-13 12:47
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This song is about the first experience of love. Daphnis and Chloe spend much of their time worrying about and anticipating their first time. The song tells us what Longus left out at the end of the book.
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Long-legged shadows
Mississippi sunset
She was standing like a candle
That hadn’t been burned yet
The wind was blowin’
Clouds like ashes
Had my hand in my pocket
Reaching for my matches
I can see those
Cotton sheets dancin’
On her mama’s clothesline in my head
From my lips a Lucky Strike was danglin’
The day was dyin’ in a sea of red
Then came the night
Warm and dark
Draggin’ its chains
Across our hearts
The moon was full
The grass was wet
Makin’ us scream makin’ us sweat
Holdin’ on tight
It was wrong it was right
Then came the night
There was a time
When love was a flower
Now it’s a vine
Climbin’ up the tower
And the river just rolls
Past the garden
Where love won’t grow
And the ground is hardened
I can see the tattered white flag flyin’
I can hear the ringin’ mission bell
Telling of the innocence that’s dyin’
A sound that i remember oh so well
Then came the night
Warm and dark
Draggin’ its chains
Across our hearts
The moon was full
The grass was wet
Makin’ us scream makin’ us sweat
Makin’ us cling makin’ us claw
Makin’ us rise makin’ us fall
Breath on breath, skin on skin
I can’t go back, there again
Holdin’ on tight
It was wrong it was right
Then came the night
I remember that summer
I was workin’ for her daddy
I was still a boy
But i knew i was ready
When she reached out and took my hand
She became a woman
And i became a man
I wonder if she still thinks about me
The way i still think about her
You don’t forget something like that
There’s only one first time
Listen to the song:
Then Came the Night
Parallels between Horace poem 3.9 (Ancient Text) and (Contemporary Song) by The Smiths
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Horace discusses how lovely Chloe is, and how he would love living with her, and die with her gladly. Similarly the Smith’s talk about how it would be a privilege to die by their lovers side, and call it a “heavenly way to die”
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Lyrics
Take me out tonight
Where there’s music and there’s people
And they’re young and alive
Driving in your car
I never never want to go home
Because I haven’t got one
Anymore
Take me out tonight
Because I want to see people and I
Want to see life
Driving in your car
Oh, please don’t drop me home
Because it’s not my home, it’s their
Home, and I’m welcome no more
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten-ton truck
Kills the both of us
To die by your side
Well, the pleasure – the privilege is mine
Take me out tonight
Take me anywhere, I don’t care
I don’t care, I don’t care
And in the darkened underpass
I thought oh God, my chance has come at last
(But then a strange fear gripped me and I
Just couldn’t ask)
Take me out tonight
Oh, take me anywhere, I don’t care
I don’t care, I don’t care
Driving in your car
I never never want to go home
Because I haven’t got one, da
Oh, I haven’t got one
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten-ton truck
Kills the both of us
To die by your side
Well, the pleasure – the privilege is mine
Oh, there is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
Listen to the song:
There Is a Light That Never Goes Out
Parallels between Sappho poem 75 (Ancient Text) and (Contemporary Song) by Eve 6
ltc-admin, 2015-03-13 12:47
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Eve 6’s think twice parallels Sappho’s jealousy when she sees her lover with another. They both describe the physical symptoms they experince when they see this betrayal.
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When all is said and done
And dead does he love you
The way that I do
Breathing in lighting
Tonight’s fighting
I feel the hurt so physical
Think twice before you touch my girl
Come around I’ll let you feel the burn
Think twice before you touch my girl
Come around come around no more
Think twice before you touch my girl
Come around I’ll let you feel the burn
Think twice before you touch my girl
Come around no more
She spreads her love
She burns me up
I can’t let go
I can’t get out
I’ve said enough
Enough by now
I can’t let go
I can’t get out
Wait till the day you finally see
I’ve been here waiting patiently
Crossing my fingers and my t’s
You crying on my shoulder begging please
Think twice before you touch my girl
Come around I’ll let you feel the burn
Think twice before you touch my girl
Come around come around no more
Think twice before you touch my girl
Come around I’ll let you feel the burn
Think twice before you touch my girl
Come around no more
She spreads her love
She burns me up
I can’t let go
I can’t get out
I’ve said enough
Enough by now
I can’t let go
I can’t get out
What is it you really want
I’m tired of asking
You gone, I’m wasted
When I showed up and he was there
I tried my best to grin and bear
And took the stairs but didn’t stop at the street
And as we speak I’m going down
Cause she spread her love
And burnt me up
I can’t let go
I can’t get out
I’ve said enough
Enough by now
I can’t let go
I can’t get out
Think twice before you touch my girl
Come around I’ll let you feel the burn
Think twice before you touch my girl
Come around come around no more
Think twice before you touch my girl
Come around I’ll let you feel the burn
Think twice before you touch my girl
Come around no more
Listen to the song:
Think Twice
Parallels between Meleager G-P 52 = AP 5.166 (Ancient Text) and (Contemporary Song) by Maroon 5
ltc-admin, 2015-03-13 12:47
ParallelLyricsListen
The narrator in each source wonders whether a woman is dreaming of him, hoping apparently that this reveals a real, if unexpressed, expression of desire. Meleager: Does she take tears to bed, kiss an elusive dream of me, that she clasps to her breast?
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Can you see me
Floating above your head
As you lay in bed
Thinking about everything
That you did not do
Cause saying I love you
Has nothing to do with meaning it
And I don’t trust you
Cause every time you’re here
Your intentions are unclear
I spend every hour waiting for a phone call
That I know will never come
I used to think you were the one
Now I’m sick of thinking anything at all
[Chorus]
You ain’t ever coming back to me
That’s not how things were supposed to be
You take my hand just to give it back
No other lover has ever done that
Do you remember
The way we used to melt
Do you remember how it felt
When I touched you
Cause I remember very well
And how long has it been
Since someone you let in
Has given when I gave to you
And at night when you sleep
Do you dream I would be there
Just for a minute or two
Do you
[Chorus]
Heartache, heartache I just have so much
A simple love with a complex touch
There is nothing you can say or do
I called to let you know I’m through with you
Listen to the song:
Through with you